On a spring day, a long time ago, in the Han Dynasty, Wong Chiu Kuan was born, the first-born of the honorable Wong family. Daughter of a scholar, a rich man of Sichuan, she had been gifted with all the arts which she so easily learned. However, her passion, her favorite pastime, was to sing. She sang happy tunes under florescent creeping plants, while executing the gentle melody of the pei pá1a) which she so artfully played.
Her long white fingers ran dexterously along the many strings, simulating the birds chirping, the water running in the spring creeks, the autumn breeze, the snow blizzards of winter. In her hands, the pei pá, of elaborate brown wood, played melodies only comparable to those of the spirits. With a pretty maiden coiffure perfumed with fragrant flowers on her beautiful head, the two big black bowknots of hair, Wong Chiu Kuan leaned her forehead, silky as a champac petal, softly, passionately, along the pei pá handle while playing. And from her red lips came a song, mixing the sounds of her voice with those of the instrument. It was a pleasure to listen to the singing of beautiful Wong Chiu Kuan.
In those feudal times, all rich fathers with a beautiful daughter aspired to introduce her into the Royal Palace, as a concubine of the Emperor. It was a distinguished honor to the family and to the girl, a pleasant future of leisure, luxury and wealth, the epitome of happiness in the consensus of the time.
A devoted subject, Mr. Wong generously offered his beautiful daughter to his Emperor.
When entering the palace, all girls were portrayed by the painter of the Court, the corrupt Mou In Si, an excellent painter, whose brush accurately reproduced his models. Corrupt as he was, he used to ask the wealthy fathers of the future royal concubines huge sums to portray them even more beautiful, for the Son of Heaven to pay them his attentions, perhaps granting them the honor of being one of his favorites.
When Mr. Wong arrived at the palace With his entourage and introduced Wong Chiu Kuan to the painter Mou, he, as usual, asked a huge sum, not to beautify her but to paint her accurately. Mr. Wong got very angry. Why buy Master Mou favors if his daughter was so beautiful?
- "No! I am not giving a single reward for the portrait. Painter Mou, do your duty and portray the beauty of my daughter as she is and nothing more. No artifice is needed to make her beautiful."
- "Avaricious and arrogant," the corrupt Mou commented to himself- "You are not going to laugh at my expense... old Magistrate Wong..."
And so he portrayed the beautiful Wong Chin Kuan as if she were a vulgar girl, skilfully replacing her beauty with a remarkable ugliness.
Wong Chiu Kuan then started to live with her companions who, envying her beauty, rejoiced at the ostracism of the Emperor towards her, without understanding why.
One day, by the end of the summer, when the pink petals of the lotus flowers started to fall, one by one, into the water of the lakes, a Tartarian King arrived at the capital, coming from the remote steppes of Mongolia, to discuss peace and alliance with the Emperor of China. As was usual in the Empire of the Middle Kingdom, a King from the steppes stayed in the Imperial Palace, being assigned a beautiful pavilion whose large marble balustrade opened widely to the garden.
The Tartarian King, used to his tents and the barren steppes of the North, did not feel comfortable in that palatial opulence. Without his furs and his wool cushions he was not able to sleep amid so much luxury and exuberance.
The garden, flooded by the moonlight, with winding bridges, small pavilions scented by exotic flowers, a sea of greenery scattered with cool lakes, attracted the curiosity of this man from the desert, taken by insomnia. He went to the garden and had just started to walk along its sinuous paths when a gentle melody of pei pá and a crystalline voice singing almost in sordine a melancholic song, reached his ears. He silently approached the place from where the sound came, filtered by the foliage.
In an isolated corner, lit only by the moonlight, he saw sitting on a step of a small pavilion, a beautiful woman who was singing and playing. He had never heard such beautiful singing or playing before.
The next day, as a seal of the friendship pact he had signed with the Emperor, the Tartarian King, who had not been able to sleep all night because of the luxury of his chamber and dominated by the beautiful vision he had seen in the garden, asked the Emperor to offer him, as a seal to the peace and friendship pact that had brought him there, the concubine who lived on the most remote side of the palace, in the garden's Western pavilion.
The Emperor was amazed. He had never paid attention to Wong Chiu Kuan, portrayed with so many physical deformities by the perverse Master Mou. He readily agreed to the King's request and summoned the young concubine. Wong Chiu Kuan then appeared, humbly yet magnificently in a gorgeous dress which further enhanced her beauty.
The Emperor was stunned. How come that such a beautiful girl was living in the palace and he had never seen her, even once? He regretted having promised a woman of such beauty to his unpolished visitor. However, he had promised and the treaties of peace had been sealed and bonded by this gift. There was nothing he could do.
Wong Chiu Kuan married the Tartarian King and followed him with his entourage when he returned to the barren lands of Mongolia.
In the palace, the Emperor of China ordered Master Mou to be severely punished. But Mou ran away terrified and no one ever knew what happened to him.
To Wong Chiu Kuan, long was the journey to the remote steppes and more heavy it became by the longing for her birthplace, which was becoming more and more distant.
While passing the Amur River, the girl looked back to China on the other side of the river. Some chroniclers say that, sorrowfully she jumped into the river. However others say that she followed her new master, who loved her madly, living some years in his kingdom in Inner Mongolia, where when she died her sorrowful husband erected a beautiful stone mausoleum to her memory.
They also say that when she arrived at her destination winter was approaching. Far away, in China, autumn had caused the chrysanthemums to flourish in the Imperial Palace. Wong Chiu Kuan remembered with nostalgia the green and lively landscapes of the motherland she had left.