City Imprints - Maps from the Archives of Macao

“City Imprints - Maps from the Archives of Macao” complies design drawings, planning illustrations, water supply system plans, hydrographic maps and land maps which vividly outline the course of development of the city of Macao in the hundred years from 1880’s to 1980’s.

Multi-Prismatic Mutual Views - International Invitational Exhibition of Contemporary Art

Multi-Prismatic Mutual Views - International Invitational Exhibition of Contemporary Art is co-organised by the Macao Museum of Art (MAM) under the Cultural Affairs Bureau and the School of Intermedia Art (SIMA), China Academy of Art. A total of 32 artists/arts groups from the mainland China, Taiwan, Hong Kong and Macao as well as from Japan, South Korea, Germany, France and Italy, are invited to participate in the exhibition. This exhibition catalogue, with related work introductions and artists’ resumés, features all images of paintings, photos, installations and AR/VR works and other cross-disciplinary creations.

Quintessence of Imperial Kiln Porcelain of the Ming Dynasty from the Palace Museum Collection

From ancient times to the present, porcelain is the most commonly used ware by ordinary people in their everyday life, and also the main utensil in the royal court of the past dynasties. In the Ming Dynasty (1368–1644), the court used a large scale of ceramics for decorative items, sacrificial offerings, religious rituals, and internal and external tributes. Thus, the imperial kiln porcelain was one of the symbols that highlight the emperor’s absolute authority. The hardcover catalogue of the Quintessence of Imperial Kiln Porcelain of the Ming Dynasty from the Palace Museum Collection contains images of all the items showcased in the exhibition, as well as the research materials for each exhibit. At the same time, it also includes a thesis written by expert of the Palace Museum on imperial kiln porcelain in the Ming Dynasty. The catalogue presents a selection of 120 pieces (sets) of representative artworks from the imperial porcelain kiln produced in the Hongwu to Wanli periods (1368–1620) of the Ming Dynasty, according to the order of their production times.

Review of Culture, International edition, no. 67 (RCI)

Issue no. 67 features an unprecedented study based on Portuguese navigation diaries which unveils some mysteries of the establishment of Macao.

Glossiness of Uncarved Jade - Grand Exhibition of Cui Ruzhuo in Macao

Cui Ruizhuo, a famous contemporary Chinese artist, is skilled in finger ink painting. His works have been exhibited in Russia, Japan and Palace Museum in Beijing. This hardcover catalogue comprises images of all exhibits, detail information of the artist and related writings. The contents are divided into two parts: Chinese paintings and calligraphies, with a total of 75 works.

Land of Hope - Historical Archives Exhibition on Leprosariums in Macao

As an overview, this exhibition features records and materials selected from the collection of the Archives of Macao to trace the development of medical facilities for leprosy treatment, outline the historical context of leprosy treatment in Macao, explore the social aspects of Macao in different times and present a local reflection of the global fight against the disease.

Bold Spirit - Works of Shi Lu from the Collection of the National Museum of China

Shi Lu was a representative of the revolutionary artist fostered by the Communist Party of China during the Yan’an period, as well as the major designer of the Chang’an Painting School. This hardcover catalogue contains images of all items showcased in the exhibition, as well as the related research materials and thesis. The catalogue presents over 150 pieces (sets) of artworks into four sections: “Revolutionary Epic”, “Praise of the New Era”, “Chang’an New Painting” and “Strength of Character”.

Review of Culture, International edition, no. 66 (RCI)

The article exploring how opium monopoly constructed the economy of Macao in the early 20th century is the highlight of Issue 66 of the Review of Culture.