The experimental Cantonese opera Farewell My Concubine not only stands as a newly adapted production but it also plays an important role in the preservation of this artistic tradition. The production is staged in the form of “experimental theatre” mainly with a view to enabling the audience to appreciate the beauty of Cantonese opera at close range. Without adopting any exquisite stage design or the “Six Pillars” system (six major roles), the entire play only has three characters Xiang Yu, Yuji and a groom (soldier), who showcase the past, present and future of Cantonese opera respectively with their performing skills. Such an adaptation not only reflects the new generation of Hong Kong-based Cantonese opera performers’ expectations for the future of this traditional genre, but also conveys the purpose of this production: presenting to the audience the evolution and development of Cantonese opera starting from a classic.
This experimental piece is created in a small scale yet with a broad perspective. Not only is it a touching love story between Xiang Yu and Yuji where the battle for national and personal interests is depicted, but also a vivid development history of Cantonese opera is unfolded through the story line, singing and music, and movement design and arrangements. Moreover, this production also opens another window for the preservation of Cantonese opera in Hong Kong.
By Yang Min-wei
Adjunct Assistant Professor, Department of Chinese Literature at Chinese Culture University
This article is excerpted and translated from Chinese