It has become a common trend in recent years to explore the use of virtual reality (VR) in theatre. m@rc0 p0!0 endg@me 2.0 takes reference from Six Memos for the Next Millennium, the collection of Italian writer Italo Calvino’s lectures, and is based on his novel Invisible Cities, which relates the story of Kublai Khan listening to Marco Polo’s description of a range of illusory yet seemingly real cities. In addition to viewing the actors’ live performance, the audience will also experience the virtual cities with the VR goggles. As the story unveils, each segment of virtual reality resembles one of the various attractions visited during a group tour. The chief creator Wu May Bo mentioned that “VR is added to this production in order to explore more possibilities about theatrical experience; the concepts of VR and reality are adopted because we are very interested in exploring the experience of the audience.”
The integration of VR into theatre can not only bring a fresh viewing experience to the audience, but also inspire dramaturgs to ponder the future development of theatre.
By Egretta
Theatre critic and a media practitioner with two Master’s degrees in Journalism and Cultural Management from The Chinese University of Hong Kong. She is currently writing on a number of topics for several media platforms on a freelance basis, including art and cultural development, history and features of Macao, and eco-friendly lifestyle.
This article is excerpted and translated from Chinese