No. of Sessions: 12 sessions per day, 40 minutes per session
No. of Participants: 2 participants each session
Language: Cantonese, no surtitles
Target Participants:
Restricted to audiences aged between 13 and 65 and is not suitable for any of the following:
- Pregnant women, or individuals with cardiovascular disease or other serious health conditions;
- Individuals with epilepsy;
- Individuals with pinkeye or any other contagious eye diseases;
- Other individuals who are unsuitable to experience VR.
The integration of art and technology has become an irresistible trend. With the unremitting curiosity and the use of state-of-the-art technology, the creator has produced works that transcend the audience-performer relationship and break spatial limitations, bringing a new outlook to theatrical art.
Themed around VR and based on the original novel Invisible Cities and its information and excerpts from m@rc0 p0!0 endg@me 2.0, this exhibition leads viewers into the “invisible cities” to explore the essence of cities between the virtual and the real worlds.
In addition, a group of Hong Kong artists is bringing the Konstantin’s Video Essay, a cross-disciplinary experimental VR 360 video that is based on Seagull by Anton Chekhov with combination of art and technology, leading viewers onto an imaginative journey of how Konstantin in his twenties relates stories in Hong Kong in 2022 using technology.
Remarks:
- Due to venue and spatial limitations, all viewers are required to follow the instructions of onsite staff when entering the exhibition venue.
- Visitors are not allowed to bring along any food or beverages, should mute their phones and keep quiet.
- Some people may experience dizziness and nausea when using VR goggles. Therefore, viewers are advised to evaluate their physical condition and health before booking the VR video experience.
- People wearing glasses may not be able to wear VR goggles directly, so please ensure the size of your glasses is smaller than 142mm in length and 50mm in width, or wear contact lenses.
- Participants will first view the cross-disciplinary experimental VR 360 video Konstantin’s Video Essay (duration: around 20 minutes) before experiencing the VR excerpts from m@rc0 p0!0 endg@me 2.0’ (duration: around 5 minutes) at another spot.
The deadline for registration is 12 April. In case of oversubscription, selection will be made by drawing lots.